![]() It’s easy to think about film as this magical romantic thing here in the digital age. How much accuracy do you want in your film emulation? And here’s the Capture One guide to using presets and styles with its software. Here’s a direct link to Adobe’s guide on how to install profiles and presets for Lightroom. Some packs will come with installer files that will automatically put the data where it needs to go for the presets to show up in the software’s interface. Once you know what program you’re using, you’ll have to know how to actually install the presets. That’s why companies often charge you twice if you want to get presets for both programs. They’re entirely different things and they take the same amount of work to create. Presets meant for Lightroom, for instance, won’t simply work as Styles for Capture One Pro. Typically, companies will require you to buy and download presets for specific platforms. Pick your platformīefore you go buying preset packs, you should make sure you’re solidified in your choice of the best photo editor for you. Think of choosing a preset like you’d select a film stock. The photo is a product of the camera’s own processing system as its designers saw fit. Now, when you take your digital camera out in the world, you’re not getting a totally unbiased image of what’s happening in the real world. When you went out shooting, you took film with you that produced the specific colors and tones that fit your needs. In truth, this kind of thing has been part of photography since the film days. Some people dislike the idea of buying into a pre-packaged look for their photos. Sure, some of us have gone in and said, “I think there’s just a little too much green in the shadows of this photo,” but not everyone goes to that extent. You’ll likely see tweaks made to sliders you’ve never even touched. Apply an advanced preset to an image in Lightroom, then go looking through the adjustment panels. When you start getting into more complex presets, they can involve tons of tiny tweaks in just about every aspect of the image. It switches the image to monochrome and bumps the contrast up with one click. ![]() Take a simple one like Adobe’s built-in high-contrast black and white setting. When you click to apply a preset, it automatically adjusts the program’s settings to try and give the photo a specific look. Both Adobe Lightroom and Capture One (which calls them styles) ship with a stock selection of built-in presets. You likely don’t use them very much because, frankly, most of them kinda suck. Whatever program you’re currently using to edit photos probably already has a set of presets already baked in. Best film emulation presets for the “light and airy” look: Noble Presets.Best film emulation presets for lots of options: RNI.Best film emulation presets for experimental work: Looks Like Film. ![]()
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