Make your way through the room, and as you pass the first set of statues, two panthers will attack from the other end, so take them out and move down to where they came from. Head back down to the surface using the slide to the right of the sphinx head, then go through the door and corridors to another room. At the bottom of the slide, turn around to find a Large Medipack, then pull the switch on the back of the Sphinx head. Run to the end, and to the right is a slide to jump to. Jump and grab the first one, then to the second one to another platform on the other side. From the pillar, jump to the platform, then look to the wall to see two more rings you can wall run from. From the head of the sphinx, look left to see a ring above you, jump and grapple to it, then swing to the pillar in front of you. Climb into it and walk through to get ARTIFACT #1/3. Go into the alcove above the sphinx, and on the right is a gap in the wall. Climb up the ladder, then jump left to land on top of the sphinx. On the other side, grab the ammo, then jump to the first, then second pillar then to the ladder on the right hand wall. Jump to it and swing over the gap, but be careful as it's on a timer. Jump to the next platform, then shoot the button on the wall to make a pole pop out. Jump up to the next ledge, then shimmy right, then up two more ledges to the top platform. Shimmy left and up to another ledge, then left again to jump behind to the second pillar. Jump onto it, then left to the first pillar. Next to the left side of the sphinx is a small circular piece of debris. After defeating both of them, head to the sphinx on the opposite side from where you entered, and to the left are a couple of broken pillars. Take them out in the standard way, but be aware that they can shoot fireballs from distance. Climb up the ledge at the back of the room and walk forward to the edge to trigger a cutscene. If you're lucky, you may be able to take it out before sliding down if you can get the angles right. Slide down the ramp and immediately to your right is a panther, so take it out. You'll notice the music picked up, so that only means one thing. Walk forward to another gap in the wall, then checkpoint and SAVE. ![]() Walk forward and slide down the right side of the pit and jump to the pole, then to another scarab ledge and again up to the floor above. The ledge on the scarab acts like a switch, so the jump between the two has to be quite quick. ![]() Walk towards the scarab in the wall ahead, and jump onto it, then up to the floor above.
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Zipper pencil bags are sought-after for their zippers which provide extra safety. when you take the scale of the weld it a nice silver color ,but the 211 is back looking after you take the scale of the weld. i did buy a new roll when i set up the welder the first time some like that and it is 10 time better then the 211 wire. one more thing the roll of wire that came with the welder they call it is no good at all. I will tell him i need it to take it a part to learn or to fix then lol. so i will go back to the store and ask the guy if he want to sell me my old cable for 25.00 lol. so after i took all the little peices out of there no more problem. so after i took a closer look i saw that the other cable was still good because yesterday the wire never went in the liner at all it was stuck at the brass connection. the wire did not want to pass the brass fitting were the cable connect the roller part. this morning when i set up my new gun assembly in my mig. Can get alot of stuff of old hvsc furnace curcuit boards and stats if you you want to save alot of $. USUALLY A HOUSE DOORBELL 24V TRANFORMER WILL WORK AS FAR AS A SEPARATE STEP DOWN FOR SEPARATING the selinoid and wire feed motor from the rest on power supply. I know thats the HF TIG INVERTER HAS A DIGITAL ONE FROM THERE. USUALLY A 220V WELDER DISPLAY U CAN FIND WITH A POWER SUPPLY INPUT BETWEEN 5VDC AND 24V DC. Flux core welders can offer greater penetration than their MIG counterparts, allowing you to work with thicker joints as well as allowing the torch to be held in a number of directions. JUST MAKE SURE U GET ONES THAT CAN HANDLE THE LOADS. DETAILS 120 Volt AC Input Compact Wire Welder Right out of the box, the Weld-Pak 125HD is set up for self-shielded flux-cored wire welding. Best Flux Core Welder for BeginnersLincoln Flux Core Welder. JUST NEED TO FIGURE OUT THE COMPASITANCE YOU NEED, CAN PUT A 7 SEGMENT DISPLAY IN LOAD FOR VOLTAGE AND ONE IN SERIES WITH THE WIRE FEED FOR AMPS. OR EVEN FINE TUNE IT WITH A HIGH AND LOW SWITCH UTILIZIZING THE 4 ALREAD THERE. CAN CHANGE THE 4 INPUT SWITCH AND USE A POT. THAT WAY THE FAN WILL CONTINUE TO RUN AFTER OVER LOAD SHUT DOWN AND STILL BE INDEPENT ON ITS OWN POWER SUPPLY. JUST MAKE SURE YOU PUT THE THERMAL OVEROAD, FUZE, SHUT DOWN SWITCH, WHICH EVER YOU GOT CONNECTED TO BOTH OUT PUT OF THE NEW FAN CURCUIT RUN AND THE SAME RUN IT WAS IN ORIGIONAL. If you go that route witch I would recommend, CAN JUST GET A 24VDC RELAY, AND A 110V AC TO 24V DC POWER AS LONG AS THEY CAN ALL HANDLE THE CURRENT. Diamond Core Technology delivers a superior arc with a wide welding output range. ![]() Idealarc MIG welders are optimized for flux-cored and CV processes for use with a variety of wire feeders. Technically you want your wire feed and solenoid on separate power supply. MIG welders for your wire welding applications include Power Mig welders for home, farm, auto body, maintenance or fabrication. You get wire feed and gas feed with trigger switch. That way when you pull the trigger its basically a relay for both. If your wire feed motor is 24vdc you can just get a 24vdc gas solenoid and wire it in series with the wire feed. 9 times out of 10 the wire feed motor is a 24vdc. DETAILS 120 Volt AC Input Compact Wire Welder Right out of the box, the PRO CORE 125 is set up for self-shielded flux-cored wire welding. ![]() The wire feed motor is connected to the trigger usually in series. Does anyone happen to know if it's even possible to get that stuff individually from lincoln, or am I just going to have to bite the bullet and have some duplicates of stuff? My welder has a good liner, I already have a variety of tips for different size wire, and I already have a 10-pound spool of solid core wire, and I think I may already have a regulator lying around somewhere.īasically I'd rather not buy stuff I already have, and just purchase the solenoid, internal hose, and the few couplings and external hose I need. The problem is the conversion kit seems to come with a new liner, new tips, and a 2 pound spool of wire. So it's getting annoying dealing with spatter, having difficulty welding thin metal and paying twice as much per pound of wire, so I've decided to just convert my machine to MIG, since it's "MIG Ready". However, recently I've starting doing a lot of projects with thinner metal, and where the external appearance of the welds is important. I know there's probably not much love for these little 115v flux-core MIG boxes around here, but I got the thing as a gift over 6 years ago, and up until now, it's generally done all I asked of it. ![]() ![]() Sailboat retrospectives use a sailboat voyage as a memorable metaphor for the journey of completing a project or initiative from start to finish. Sailboat retrospectiveĪssess how well a project has been executed and identify areas for improvement. Though most often used by agile teams following the Agile methodology, the project retrospective is also helpful for any team looking to reflect on project progress and encourage continuous improvement. Reflect on a completed project and looks for opportunities to improve the way they work together in the future. There are many different types of retrospectives, but most of them make sure to touch on a few key points:Ī simple retrospective to understand what went well, what went poorly, what ideas the team has, and how to take action to make the next sprint or project better. Retrospectives are an essential part of continuous improvement and help teams to learn from their mistakes and make incremental improvements over time. The goal of sprint retrospective meetings is to identify areas of improvement and come up with action items to address them in future projects or iterations. Improve collaboration by fixing workflowsĭuring a retrospective meeting, the team members gather together to discuss and analyze the successes and failures of the project, the effectiveness of the team's communication and collaboration, and the overall process used to complete the work.Create a safe space for teams to voice feedback and raise concerns.Identify challenges or opportunities for improvement in real-time.Retrospectives have many benefits, including: The goal is to evaluate past performance to improve process efficiency, teamwork, workflows, interactions, and the team’s definition of done. Retrospectives (or ‘retros’) are held at the end of each project or sprint to reflect on what went well, what needs to improve, and what ideas may have potential. Retrospective meetings provide that structure. It’s essential to have an established framework for gathering and recording ideas, as well as a culture based on psychological safety, to ensure that your team feels comfortable giving honest feedback. When the projects and sprints are over, the work isn’t done. ![]() Additional layers of rhythm can be added, along with beat repetitions using Note Repeat. Loose timing can be fixed by quantizing, or nudging individual notes. Begin with a beat – Note features 56 Drum Sampler kits to use on the 16-pad grid.For producers checking out Live for the first time, version 12 provides the most refined and well-rounded version of the software yet.Tips on getting started with Note by Ableton While the core of Live remains the same, the multitude of enhancements add up to a meaningfully improved user experience.įor existing Live users, Live 12 seems like an essential upgrade to take advantage of the new creative tools and productivity-boosting changes. New Themes – Light, dark, and high-contrast interface themes.Ībleton Live 12 represents a major update focused on smoother workflow, creativity, and performance.Performance Pack – Devices for advanced live performance workflows.Loss and Found Pack – New collection of textural samples and percussive instruments.These additions demonstrate Ableton’s commitment to making Live accessible and usable for all musicians and producers. Interface Themes – High contrast theme tailored for accessibility. ![]() Keyboard Shortcuts – New shortcuts provide access to almost all Live functions.Screen Reader Support – Navigate and operate Live 12 using screen reading software.Live 12 introduces new capabilities for visually-impaired users: Producers can now organize Live’s massive sound library to match their personal workflow rather than relying solely on fixed categories. Browser History – Step back through recent searches, categories and presets like a web browser.Sound Similarity Search – Find presets/samples similar to a selected item via machine learning algorithms.User Tagging – Apply custom tags to categorize devices and samples your own way.Browser Tagging – Sounds have descriptive tags beyond just categories, improving searchability.Intelligent Browser Upgradesįinding sounds and presets is now smarter and more customizable: These changes create a more efficient mixing environment in Live for both recording and performance. Refined Interface Look – Cleaner, more minimal visual design improves focus on musical elements.Stacked Detail Views – Automation and device views can be shown simultaneously with main interfaces.Enhanced Mixer Visuals – New mixer graphics better communicate stereo imaging, frequency content and more.Mixer in Arrangement View – The mixer can now be accessed in both Session and Arrangement View.Mixing and mastering in Live gets an upgrade thanks to the following improvements: This unlocks more seamless sound design and performance capabilities. Live 12 also introduces a new modulation system with improved parameter control during modulation. Roar – A characterful saturation plugin with 3 modes and extensive modulation options.Granulator III – The latest version of this granular effect/instrument, now with MPE support.Meld – A deep, bi-timbral synthesizer optimized for sound design.Three new software instruments inject fresh sonic possibilities: | Black Friday VST Deals 2023 – Click here to checkout These additions provide intuitive ways to both finesse MIDI parts and spark new ideas through manipulation and generation. Keys & Scales – Set scale rules that intelligently guide note input and transformations.Enhanced MIDI Editing – New capabilities for transposition, velocity shaping, splitting/joining notes and more.Max for Live MIDI – Create custom MIDI Transformations and Generators with Max’s visual programming environment.MIDI Generators – Generate original melodies, chords and rhythms constrained by customizable parameters.MIDI Transformations – Easily add articulations, draw timing/velocity curves, strum chord patterns and more.New MIDI tools facilitate quick editing and manipulation: Live 12 aims to remove friction from MIDI sequencing and give producers more creative control. Let’s explore the key changes in this significant update. Live 12 brings enhancements across the board, from core audio functionality to user interface improvements. Ableton has announced the release of Live 12, the latest version of their acclaimed music production software. |
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